Film Crew in Thailand

Every crew role for a shoot in Bangkok or anywhere in Thailand, put together by one producer who knows the people.

Hire a Film Crew in Bangkok

One producer, one crew list, every role your shoot needs.

We have crewed commercials, music videos, films and corporate shoots in Thailand for years, mostly with the same heads of department. We put the crew together around the job: three people for a documentary, or a full commercial unit with an art department and a generator truck. Camera, lighting and grip crews come with the gear they run, so there is nothing to rent separately.

Producers and the Production Office

The producer is your main contact from the first budget to delivery. Behind them, the production office books the crew, the gear, the vehicles and the hotels, and handles the permits and the paperwork for any foreign crew. More about our producers.

Producer

Your main contact: budget, schedule, crew and the client.

Line Producer

Runs the budget and the day-to-day work for productions from abroad. See line production.

Production Manager

Turns the schedule into bookings: crew, gear, vehicles, catering and hotels.

Production Coordinator

Call sheets, crew lists, travel and the many small confirmations.

Production Accountant

Petty cash, receipts and cost reports, so the budget is clear at wrap.

Runners

Production assistants who fetch, carry, guide and lock off on set.

Interpreter

Thai and English on set and on recces, for the director and the cast.

Fixer

The local contact for a foreign crew: permits, locations and problems. See fixer in Thailand.
Crew preparing a studio set with a jib arm for a Molfix commercial

The Director’s Team

Bring your own director or work with one of ours. Either way, the assistant directors run the set: the schedule, the calls and the pace of the day.

Director

Leads the creative work on set. Thai directors for local work, or yours flown in.

First AD

Builds the shooting schedule and runs the floor, so the day ends on time.

Second AD

Call sheets, cast and crew calls, and the next day’s prep.

Third AD

Extras, background action and the set runners.

Script Supervisor

Continuity and shot notes, so the edit cuts together.
Director’s monitor showing three actresses during a Pantene commercial shoot

Camera

From one operator with a Sony FX6 to a full ARRI or RED camera team. More on our camera crew page and the cameras we rent.

Director of Photography

Designs the look with the director and leads camera, lighting and grip.

Camera Operator

Frames and moves the camera on the DOP’s plan.

Focus Puller

The first assistant camera. Keeps the focus, builds and looks after the camera.

Clapper Loader

The second assistant: slate, camera reports, cards and batteries.

DIT

Backs up and checks the footage on set, and handles looks and dailies.

Data Wrangler

Copies and checks the cards on smaller shoots that don’t need a DIT.

Video Assist

Monitors and playback for the director, the client and the agency.
Camera team with a cinema camera on a boutique set for a Visa commercialDIT checking footage and scopes at his station on set

Specialty Camera

Specialists for particular shots, each booked with their own equipment.

Steadicam Operator

Smooth moving shots on a Steadicam, booked with their own rig.

Gimbal Technician

Balances and runs Ronin and MōVI gimbals, often by remote.

Drone Pilot

Licensed pilots, with a separate camera operator on the bigger drones. See drone videos.

FPV Pilot

Fast, close drone shots through buildings, cars and crowds.

Underwater Camera Operator

Pools, islands and the sea, with housed cameras.

Technocrane and Remote Head

Telescopic cranes and remote heads for large camera moves.

Motion Control

Repeatable high-speed moves with the Bolt camera robot, as on the Clones music video.

Camera Car and Russian Arm

Driver, arm operator and technician for car commercials.
MRMC Bolt camera robot on its track on a music video setCamera car with a crane arm and remote head on a road shoot

Lighting and Power

The gaffer plans the light with the DOP, and the lighting crew comes with the lights. Bigger shoots add a generator truck. See our lighting team and lighting equipment.

Gaffer

Head of lighting. Plans the lights and the power with the DOP and leads the crew.

Best Boy

The gaffer’s second: runs the crew, the truck and the paperwork.

Electricians

The sparks who rig, set and adjust every light.

Lighting Desk Operator

Programs and runs LED and DMX lights from a console.

Generator Truck

For locations without enough power. Its driver also runs the generator.
Lighting crew on a ladder rigging a large light against a purple studio cyc

Grip

Grips move and hold the camera, and shape the light with frames and flags.

Key Grip

Head of grip. Plans dollies, cranes and rigging with the DOP.

Dolly Grip

Pushes the dolly and hits the same marks take after take.

Crane Operator

Builds and swings jibs and cranes.

Grips

Track, flags, frames, sandbags and car rigs.

Rigging Crew

Pre-rigs large sets and rooftops before the shoot day.
Grips setting up a dolly with the camera team on a covered walkway location

Sound

Sound crews come with their own recorders, microphones and wireless kits.

Sound Recordist

Records the dialogue on set, with their own kit.

Boom Operator

Holds the boom and places the microphones on the cast.

Sound Assistant

Extra hands for multi-camera shoots, cables and wireless channels.

Playback Operator

Plays the track on set for music videos and dance scenes.

Art Department

Sets, props and dressing, from one product table to a full studio build. Finding the right art team is its own subject, so it has its own page: art department in Thailand.

Production Designer

Designs the look of every set and location with the director.

Art Director

Runs the art team, the budget and the build.

Set Construction

Carpenters, welders and painters who build in the studio or on location.

Set Decorator and Dressers

Furniture, textures and the details that make a place believable.

Prop Master and Standby Props

Hand props and hero products, and their continuity on set.

Prop Buyer

Finds props in Bangkok’s markets, shops and prop houses.

Graphic Designer

Signs, packaging and screens, in Thai or any other language.

Food Stylist

Makes food look right on camera, take after take.

Practical Effects

Rain, smoke, wind and breakaways, done on set.
Night set with a giant dragon skull, stone props and candles, and the crew at work

Hair, Make-up and Wardrobe

Make-up artists and stylists for the shoot days, usually with a fitting a few days before.

Make-up Artist

Beauty, natural and character make-up.

Hair Stylist

Styling, and keeping it the same between takes.

SFX Make-up

Wounds, ageing, prosthetics and body paint.

Costume Designer

Designs and sources costumes for drama and period work.

Wardrobe Stylist

Sources and fits the clothes for commercials and fashion shoots.

Wardrobe Supervisor and Dressers

Keep the costumes ready, clean and in continuity on set.

Tailor

Alterations and made-to-measure pieces at short notice.

Cast

Thai, Asian and foreign actors, models and extras, cast from photos and video castings. Actors can join our database through the actor sign-up.

Casting Director

Finds and shortlists the actors and runs the castings.

Extras Casting

From five people in the background to a few hundred.

Talent Coordinator

Gets the cast to fittings, make-up and set on time.

Child Chaperone

Looks after child actors on set and keeps to their working hours.

Choreographer

Dance and movement for music videos and commercials.

Stunt Coordinator

Plans and runs stunts and fights safely.

Animal Trainer

Trained animals and their handlers.
Cast in costume waiting on a city plaza location at dusk, with a balloon light

Locations, Safety and the Unit Base

Everything around the set that keeps a shoot day running. See also location scouting in Thailand.

Location Manager

Finds, books and runs the locations, and deals with owners and neighbours.

Location Scout

Photographs the options for the director before the recce.

Unit Manager and Unit Crew

Set up the base: tents, tables, toilets, power and parking.

Medic

On set for stunts, water work, heat and long days.

Safety Officer

Checks rigs, stunts, heights and water work before they happen.

Security

Guards for the base, the equipment and closed-off streets.

Catering

Meals and drinks for the whole crew, on time.
Crew setting up lights and a camera cart on a stadium running track

Transport

Every vehicle comes with a driver.

Transport Captain

Plans the vehicles, routes and pick-ups.

Drivers

Drivers who know Bangkok traffic and the way to every location.

Vans and Crew Cars

For the cast, the crew and the client.

Camera, Lighting and Grip Trucks

The gear travels with its crew.
Grip and lighting truck unloaded at a location, with stands and a tent

Behind the Scenes

Stills and behind-the-scenes video for social media and press.

Stills Photographer

Production stills and key visuals during the shoot.

BTS Videographer

Behind-the-scenes video for social media and press kits.

Teleprompter Operator

For presenters, interviews and corporate videos.

How a Crew Day Works in Thailand

Crews in Thailand work to much the same rules. Good to know before you plan the schedule:

  • A shoot day is a 12-hour shift, meals included. Overtime starts after 12 hours.
  • Sundays and public holidays cost more than weekdays.
  • Travel days, pre-light and pre-rig days are paid as half days.
  • Outside Bangkok, the day starts when the crew leaves the hotel and ends when they’re back. Production pays per diems.
  • Crew get 12 hours between wrap and the next call. A shorter turnaround is paid extra.
  • A cancellation in the last days before the shoot is paid: in full for the last two days, in part up to a week before.
  • Meals at least every six hours, and breakfast when the call is early.

Questions About Hiring a Crew

Do the crews speak English?

Heads of department and most key crew do, and they work with foreign directors all the time. For anyone who doesn’t, our producers and interpreters are on set.

Can we bring our own crew?

Yes. Many productions bring the director, the DOP and a few heads of department, and hire everyone else here. Foreign crew need a work permit and the right visa for the shoot, which we arrange. See film visa and work permit.

How big is a commercial crew in Bangkok?

It depends on the job. A corporate interview can be done with three people. A commercial with a studio set, a lighting crew and extras often has 40 or more people on set, partly because the gear comes with its crew.

Can you crew a shoot outside Bangkok?

Yes, anywhere in Thailand: Phuket, Krabi, Koh Samui, Chiang Mai and smaller towns. Most crew travel from Bangkok, which adds travel days and per diems to the budget.

How far ahead should we book?

Two to three weeks is comfortable for a commercial. The best heads of department book up early in the busy season, from November to April.

Do you supply the equipment too?

Yes. Cameras, lights, grip, drones and sound come with the crew who run them. See our video equipment.

What does a crew cost?

Day rates depend on the role and the person’s experience. Send us the crew list, the location and the dates, and we’ll send a quote.

Need a crew in Thailand? Send the dates, the location and the roles you need.

Send your crew list

One Call for the Whole Crew

Send us a crew list, or just the script and the dates. We put the crew together, with the gear, transport and permits that go with it.

Line drawing of Bangkok along the Chao Phraya river, with a pin on the Khlong San bank just south of Taksin Bridge
Bangkok Production CompanySupakarn Shopping Center, 3rd floor
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